The Betty Lou Gerson Story
Nonfiction
Date Published: January 28, 2023
She voiced one of Disney’s most infamous villainesses. With her husky
timbre and most unforgettable cackle, Betty Lou Gerson terrified an entire
generation as Disney’s original “Cruella de Vil” in One
Hundred and One Dalmatians (1961). Betty used her whiskey-soaked voice to
give us an innovative portrait of elegant villainy beyond
entertainment’s stereotypical “old hag” antagonists in
radio, film, and television. She had a prolific radio career in both Chicago
and Hollywood before the silver screen and was featured in many popular
television series in the 1950s and 1960s such as Perry Mason, The Dick Van
Dyke Show, and Hazel. Though “Cruella” is perhaps her most
recognized role, she also performed in other beloved film classics including
Cinderella (1950), Mary Poppins (1964), and Cats Don’t Dance
(1997).
The great irony of Betty’s story is that while her voice frightened
audiences through nearly all mediums, off mic, she was in fact no villainess
at all. Betty traversed through some of the most volatile eras in American
history, while overcoming many personal tragedies of her own. She was among
twentieth century entertainment pioneers and an iconic voice of
feminism.
About the Author
Lona Bailey is a Golden Age of Hollywood researcher and writer of “Uncredited: The Life and Career of Actress Virginia Gregg” and “The Voice of Villainy: The Betty Lou Gerson Story.”
As a PhD and former therapist, Lona is passionate about telling the untold #storiesofwomen who perhaps weren’t finished using their own voices during their earthly journeys. Lona is a mother of three with a balanced perspective on the multidimensional elements involved in legacy-maintenance with particular interest in the preservation efforts of the #GoldenAgeofHollywood. Lona’s #biographic works are delicately researched and written with a candid and fair pen and plenty of room for levity.
#OldHollywood holds millions of secrets in its gothic #sensationalism; with
its #darksecrets, come just as many shimmering triumphs– and Old
Hollywood wouldn’t be as we know it without both.
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